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    Contemporary art, classical Scandinavian design, and sophisticated, thoughtful interiors all come together at Stockholms newest luxury hotel, At Six. The 'grand hotel redefined for modern day life' was a theme running throughout the design process and because of this we want the hotel to feel like it has a legitimate place in the lives of Stockholm's citizens and visitors. . We wanted every room to feel like a suite so even in the smallest of standard rooms we have clear hallway, sleeping and living zones. All standard rooms incorporate a full length marble credenza that doubles up as desk with a lounge seating area comprising a custom designed sofa and well stocked minibar and drinks area. We are very proud of the hotel in general. What was the brief for At Six Hotel's interiors? We find the Scandinavian design aesthetic very seductive and we certainly researched and referenced the work of Scandinavian architects and designers in preparation for creating the concept.

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    Even the simplest of standard rooms feel luxurious, considered and detailed. We wanted to make a hotel experience  that feels unique, distinct and memorable and but also at ease in the building and in Stockholm. Can you tell us more about the Stockholm elements in the design? I also really like the calming influence of Mar Whispering, Jaume Plensas.5 metre high marble head situated on our grand staircase. All of the pieces are by artists already represented in the collection of Petter Stordhalen, the hotel owner so there is a personal connection. She is also the author of 'Scandinavia Dreaming: Nordic Homes, Interiors and Design and co-author of 'Night Fever 5: Hospitality Design'.

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    In keeping with the period of svensk porrtube porr för äldre the building, we specified lots of 20th century furniture pieces including re-editions of classic Scandinavian pieces (chairs by Nils Otto Moller, Poul Kjaerholm alongside other classic European design: Perriand, Albini, Scarpa). Since 2006, he has been running Strawberry Art Design, Petter Stordalens ever-growing private art collection, and was responsible for sourcing the art for AtSix. The building, a brutalist high-rise structure, was originally designed in the 1970s by Swedish architects Boijsen Efervgren, and in our design we tried to humanise the imposing architecture, while also making its unique qualities part of the project. We also needed to consider the scale of the head which was a special commission making sure that it worked for people viewing the piece from the ground floor, the first floor and how it felt to move around as people ascended the staircase. The monochrome interior contrasts shades of warm grey and highly textured natural materials (sawn stone, blackened steel, fine timber and polished granite) as soft furnishings and classic furniture editions. What materials were used in the hotel? Where possible we used local suppliers and makers from the city.

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    Sune Nordgren has worked as a cultural commentator and art curator for over 40 years. Did you work closely with the art curator? . In terms of function we wanted to public spaces to serve the local community of Stockholm workers/ creatives as much as hotel guests and tried to make the public spaces flexible, diverse and comfortable morning to night. The brief asked us to create a desirable, vibrant destination, appealing to both locals as well as international guests, with the aim of becoming the best contemporary luxury hotel in Stockholm. And what is the motivation behind these choices?

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    How did the interiors and artwork interact? With the large sculpture on the staircase there was a fair bit of coordination as we needed to make sure that the materiality and detail of the staircase worked with the head (there was structural plinth cast. Collectively we agreed on ideas for the larger scale pieces in the lobby and public spaces as we needed to make sure the architecture was accommodating but as far as the actual selection of specific works. Some elements tie the hotel to the city and local area more literally For example the Swedish leather from the Tarnsjo tannery to the north of the city wrapped around the staircase handrail and on the restaurant banquettes, the bespoke. We kept a pretty constant dialogue with Sune Nordgren the curator* throughout the design process as we both wanted to build in a range of opportunities to showcase the art collection. What was your role in the selection of the pieces? Weve been told that there is nothing that comes close in terms of contemporary luxury hotels in the city which we are proud of but by the same token we feel we have successfully created a place that Stockholmers feel very at home. Do you have a favorite piece of art from the collection? It has a more "global" look, so to say.